{"id":26468,"date":"2024-12-21T02:22:01","date_gmt":"2024-12-21T01:22:01","guid":{"rendered":"https:\/\/shop.uffizi.it\/prodotti\/medusa-cotton-pochette\/"},"modified":"2026-04-21T07:01:26","modified_gmt":"2026-04-21T05:01:26","slug":"medusa-cotton-pochette","status":"publish","type":"product","link":"https:\/\/shop.uffizi.it\/en\/products\/medusa-cotton-pochette\/","title":{"rendered":"MEDUSA COTTON POCHETTE"},"content":{"rendered":"<p>100% recycled cotton<br \/>\nMini clutch bag with vintage-effect metal zip<br \/>\nDimensions: 28.5&#215;18 cm, base 9&#215;19 cm<br \/>\n400 gsm<br \/>\nDesigned and printed in Italy<br \/>\nWash at 30\u00b0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>100% organic cotton pochette.<br \/>\nThe subject depicted is the Medusa, painted by Michelangelo Merisi, known as Caravaggio, around 1597, is today housed in the Galleria degli Uffizi.<\/p>\n<p>Probably made at the request of Cardinal Francesco Maria del Monte, representative of the Grand Duchy of Tuscany in Rome, it was donated to the Grand Duke Ferdinando I de &#8216;Medici, who in those years was setting up his private armor suite at the Uffizi Gallery.<br \/>\nThe choice to paint the freshly cut head of the Gorgon on a convex support seems not to have been dictated only by the need to create a work destined to coexist with weapons and armor, but by Caravaggio&#8217;s desire to recall the original myth as much as possible. In the story, in fact, the head of Medusa is exhibited by the hero Perseus on her shield, a trophy that would have had the purpose of instilling horror in his enemies, and subsequently given to the goddess Athena who would have shown it on her Aegis.<br \/>\nThe crazy gaze, the jet of blood at the base of the neck and the wriggling of snakes in the hair make one imagine that it is almost a photograph taken a few moments after take-off. The particular curved shape of the support not only makes the work an encounter between painting and sculpture, but makes the eyes of the medusa, seat of her power, follow the observer.<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[101,105],"product_tag":[],"class_list":{"0":"post-26468","1":"product","2":"type-product","3":"status-publish","5":"product_cat-apparel","6":"product_cat-bags-and-accessories","7":"desktop-align-left","8":"tablet-align-left","9":"mobile-align-left","10":"ast-product-gallery-layout-horizontal","11":"ast-product-gallery-with-no-image","12":"ast-product-tabs-layout-horizontal","13":"ast-qv-on-image","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MEDUSA COTTON POCHETTE - Gallerie degli Uffizi Shop<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/shop.uffizi.it\/en\/products\/medusa-cotton-pochette\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MEDUSA COTTON POCHETTE - Gallerie degli Uffizi Shop\" \/>\n<meta property=\"og:description\" content=\"100% organic cotton pochette. The subject depicted is the Medusa, painted by Michelangelo Merisi, known as Caravaggio, around 1597, is today housed in the Galleria degli Uffizi. Probably made at the request of Cardinal Francesco Maria del Monte, representative of the Grand Duchy of Tuscany in Rome, it was donated to the Grand Duke Ferdinando I de &#039;Medici, who in those years was setting up his private armor suite at the Uffizi Gallery. The choice to paint the freshly cut head of the Gorgon on a convex support seems not to have been dictated only by the need to create a work destined to coexist with weapons and armor, but by Caravaggio&#039;s desire to recall the original myth as much as possible. In the story, in fact, the head of Medusa is exhibited by the hero Perseus on her shield, a trophy that would have had the purpose of instilling horror in his enemies, and subsequently given to the goddess Athena who would have shown it on her Aegis. The crazy gaze, the jet of blood at the base of the neck and the wriggling of snakes in the hair make one imagine that it is almost a photograph taken a few moments after take-off. 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